Project 46 Beat Again Live Soundcloud
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Jameson Orvis runs all his interviews through a song processor.
The legacy of Memphis hip-hop volition never dice equally long as it continues to mutate into stranger and stranger online forms. With their night atmospheric raps, Three 6 Mafia and their associates laid the foundation of mod cloud rap back in the 90'due south. SpaceGhostPurrp'southward Raider Klan resurrected these sounds in a Memphis renaissance, fusing Three 6 Mafia's hedonistic horrorcore with the internet and bringing it into the 2010'south.
Raider Klan ended officially in 2015, but its influence did not. Out of the ashes of Raider Klan, SpaceGhostPurrp, along with fellow rapper CHXPO, started the much more unknown successor Black Coin Boyz Deathrow (BMB). This was not merely a continuation of Raider Klan's Memphis revivalism, merely an development of the audio into something more sinister and twisted. BMB has been an incubator for some of the nearly interesting underground talent during the late 2010'southward, especially producers, including the cult legends Loko Los, Screw Mane Flame, and Krxxk. While BMB may have officially disbanded in early on 2020 (although that seems to have been temporary ), a new generation of talent has emerged to push the sound forward even so again.
18 twelvemonth old Axxturel, formerly known equally 4jay, is considered a leader of the new vanguard. Axxturel has been producing for quite a minute, with Tay-K even stealing ane of his beats off YouTube to make "Gotta Boom" which appeared on #SantanaWorld all the fashion back in 2017 . Merely it's non until he started the collective Jewelxxet in 2019 that Axxturel ascended to go the nighttime prince of SoundCloud. Jewelxxet, originally named Muneygettinridahz, occupies the darkest crevices of the SoundCloud abyss, where light and hope are all but absent and legitimate beefs occur over your willingness to perform demon summoning rituals. It is the natural successor to BMB just every bit BMB was the successor to Raider Klan, again representing an evolution of the Memphis sound into an fifty-fifty more experimental noisy management.
Information technology's non a coincidence that the rise of Jewelxxet's luciferian distortion runs parallel with the emergence of the brighter glitchy sounds of "hyperpop" and fifty-fifty the abstract bitcrushed noise of hexD music. It is a mistake to pigeonhole any creative person, especially on SoundCloud, into whatsoever detail scene or subgenre. SoundCloud is an infinite interconnected spider web of overlapping subgenres and scenes. Musical ideas diffuse easily between communities. The same musical forces pushing hyperpop and hexD in a noisy direction also birthed Jewelxxet.
Axxturel's 2019 tape #XXEXXXYMBOL is a sludgy inclement morass oozing with flecks of nightcore. Much of Axxturel's older textile has a similar feel, like a hellish nightcored take on chopped and screwed music. His recent tape Noktifer'south Symphony might be his most refined project however. While the mixing has improved and sounds less similar a slice of turn down dredged upwards from the bottom of a sewer, it sounds only as sinister. Track 9 "2 steppn on necks" is so obscenely hard information technology makes me want to burn down a church. He'southward also very prolific, dropping everything from incredibly experimental demented noise tracks to dark ambient compositions for demons to meditate on nigh daily.
Sellasouls makes some of the most batshit music in Jewelxxet. He raps in a nearly unintelligible venomous whispery hiss, like he's trying to summon demons in an apartment with thin walls. DARKBASEDRITUALS oftentimes sounds less like a hip hop project and more similar a collection of occult rituals existence performed to a beat. Since then, his music has only become even more noisy and abstract. The tape Dyin666iiinM4rxh{{157}}#iwandie is and so distorted and chopped half to expiry to the point that the vocals are reduced to mere eldritch sibilance over deranged noise. The density of Raider Klan glyphs and unicode pentagrams in his vocal titles adds to the artful, making them sometimes nearly unreadable to the untrained eye.
Islurwhenitalk, aka s1nt6n6, makes surreal musical shitposts with a passing resemblance to hip hop. His project Bl66d Parade, while non quite as insane equally the chthonic whisperings of DARKBASEDRITUALS, is nevertheless very unsettling. The moments this project sounds like something approaching normal rap are fleeting, serving only to emphasize how incredibly bizarre the residual of the projection is. Atlanta producer Cashcache!, most known for making plug beats for the likes of BoofPaxkMooky and Tony Shhnow, somehow is credited for producing 4 out of the 8 tracks, resulting in some of the most cursed usages of plug beats imaginable. It's a project caked in so many dark layers of irony that all connection with reality is lost. While Slur'south other projects are typically not quite as off-putting, he always delivers his vocals in an atonal mumble that'due south enough to put you at least slightly on edge.
One of my personal favorite artists in Jewelxxet, Zeroxxuit has amassed ane of the about consistent discographies in the whole collective. The man has been dropping projects throughout 2020 at a ferocious pace, all of which range from good to peachy. Some of his music sounds similar a relatively sane continuation of BMB's dark trap sounds, such as the dystopian cyber trap of FUCKED produced by collaborator Scott Free . However, Zeroxxuit is at his best when he'due south producing completely unhinged, chopped up, cacophonic soundscapes that button the premises of hip-hop to their breaking betoken. His tape Broken is a disorienting 30 minute onslaught of demented noise.
Few musical ideas here final long plenty for you lot to go even close to comfortable; Zeroxxuit is content to let yous stay lost in the ever shifting labyrinth of noisy hell that is this project. The project peaks with the completely buckwild rail "neva try two play me!" featuring an incomprehensible array of constantly shifting harsh noise and tempo changes while Lil B'southward alien cousin Splish Splash roars over it all. It'due south difficult to convey how insane it sounds. Zeroxxuit's production is versatile enough to complement a wide diverseness of styles, fifty-fifty producing avant-garde trap metal with Lih Bruja on the fascinating Meditations Nether a Funeral Moon .
On a technical level, Herme$ might be 1 of the best rappers in Jewelxxet. His record Luna de Sangre 2 is a dense journey through Herme$'s nimble cryptic boasts delivered from within grimy corrupted noise dungeons crafted by BMB producers Sayda and ThaWicketOne, among others. The trounce on "Super Android 17" is spaced out and oppressive at the aforementioned time; Herme$ sounds like he's rapping from within a prison house cell located deep hole-and-corner and in outer space simultaneously. While less atmospheric and sonically cohesive than Luna de Sangre 2, his more contempo tape Based Coin Boyz is another first-class collection of Herme$'south deft flows.
2shanez has one of the more distinctive voices in Jewelxxet, with an apathetic deadpan delivery so dissonant it can be frightening. His record No Love is a pure statement of self-hatred and indifference, with 2shanez's pitched down vocals depressing enough to suck the joy out of any day. His more recent Niko East produced tapes remind me of the Cashcache! produced tracks on Islurwhenitalk's Bl66d Parade. The production generally consists of lowkey R&B-esque beats, which combined with 2shanez'southward atonal moans produces something profoundly cursed, all the same undeniably compelling.
There's not a ton of music released by Jewelxxet as a whole group yet, but the recent #JXX 2k20 DUNK Competition is a decent showcasing of a lot of the group's talent. One of the BMB OGs also involved with Jewelxxet, Majin Blxxdy's Krxxk-produced TRXX OF P4IMXN also might as well be a Jewelxxet collaborative tape, with most of the group'south core members making an appearance .
While Jewelxxet is the virtually direct heir to BMB's legacy, information technology is not the merely collective operating in the occult dungeons of SoundCloud. Flexxcult Records, started by Lil Thraxx, is the other main grouping in this lane, and there's been some beef between Jewelxxet and Flexxcult. Several current Flexxcult artists used to be in Jewelxxet until a falling out led them to leave for Flexxcult. Amidst these artists is Rodeoglo, who recently even exchanged diss tracks with Axxturel. According to the 108Mics blog founder Chris (past far 1 of the most knowledgeable curators in the scene, become drop him a follow @108seraph ) on an episode of the Living Off Borrowed Time Podcast , the beef began because current Flexxcult members expressed a reluctance to actually perform the demon summoning rituals they rapped virtually.
Rodeoglo's music sounds like the satanic noise of Jewelxxet viewed through a psychedelic lens. His production generally favors trippy glitched out synthetic pillows of sound over the noisy abrasive chops of Jewelxxet product, with drugged out warbly vocals to lucifer. He'southward shown a significant amount of versatility as well, from making the bewildering uptempo cyberpunk noise orgy of " EGO Decease XX FREESTYLE " to genuinely catchy songs that could plausibly entreatment to a mainstream audience similar " You lot GON Prevarication ." His latest album, BLVCKHEVRT, is a remarkably cohesive 30 minute shot of some of Rodeoglo's finest work to date. Parts of this projection even seem to accept direct inspiration from the HexD motility, such as the bitcrushed hook on the NXSTA produced "TWEAKER."
KRONE tags most of his music on SoundCloud every bit #HELLSCAPEDRILL, which is a great descriptor for his music. Almost the opposite of Sellasouls's insidious whispers, KRONE raps in an incredibly annoying tortured growl on every track. XRK NEBULA is a truly frightening collection of horrific abstract yelling over equally horrific production, and it might be his best tape. The first-class compilation YoRHA SZN 1 {{ORK BOI SHYT}} includes the rail "Blackness LAGOON TROOPS" featuring Joni which might exist i of my favorite Flexxcult tracks ever. The beat samples a bewildering yet somewhat goofy cacophony of screeching violins taken from the cult classic video game Deadly Premonition's soundtrack as KRONE just roars "WHAT THE… FUCK" into the mic repeatedly. It sounds and so terrifying that information technology becomes funny, like an overblown caricature of itself.
BBPUTIN, formerly known as Bloodybay, is some other one of the more than distinctive Flexxcult members. The tape Flexxcult Records hosted on his SoundCloud is a solid compilation featuring a bulk of the collective'southward core members. BBPUTIN's most popular song is the monstrously blown out "KILLSWITCH," where he raps in a Sellasouls-esque whisper flow. But this doesn't reflect his delivery in the vast majority of his music, divers by an off-kilter froggy croak over Tread beats. BBPUTIN is absurdly prolific equally well, dropping full-length tapes on a practically weekly basis, merely the excellent charlesglobe-produced SILENT HILL PROPHECY tape would be a skillful starting point.
Some of the most interesting music in the scene occurs at its fringes, combining aspects of multiple corners of SoundCloud to create something new. To me, ihyreu's music represents the bridge betwixt the brighter pop sensibilities of the wider hyperpop scene between the abrasive darkness of Jewelxxet and Flexxcult. Ihyreu's product is bright with undertones of melancholy; more often than not more gloomy than hyperpop yet happier than Jewelxxet. The runway "moon spirit" is quite subdued, with a wavy synth line warmly dancing through the vocals and encasing them in a pillow of pleasant sound, only at that place's undeniably a night undercurrent running through information technology all. It'southward a very unique amalgamation of styles and influences. Ihyreu has collaborated with several Jewelxxet members, but is also a member of the Suzuki Club commonage started by hibari-token, which mostly occupies the same fascinating musical territory somewhere between Jewelxxet and hyperpop. Lucilfaux & St47ic deserve a shoutout for their vaguely nostalgic "2K13 HOOD EDM" production style which also fits in this Jewelxxet adjacent lane.
The night satanic music of Jewelxxet and Flexxcult may sound like a far cry from the bright glitchy sounds of hyperpop. But everything on SoundCloud is continued, and the same musical trends giving rise to osquinn and glaive as well imbued BMB's audio with a noisy border, begetting Jewelxxet and Flexxcult. The music of Jewelxxet and Flexxcult tin be idea of as hyperpop'due south satan-worshipping cousin, with ihyreu's music being a familial link. If it feels like there's an overwhelming number of artists in the scene, that'due south considering at that place are. It's a attestation to the sheer depth of talent in the scene that so many great artists didn't brand it into this piece.
Is this scene the future of pop music? Probably not, simply it is absolutely the futurity of the underground, and its influence will inevitably permeate the mainstream someday. It's piece of cake to imagine a future where Axxturel, and maybe some future stars who have yet to emerge, are widely revered as underground legends, and fundamental successors to the Raider Klan lineage.
Source: https://www.passionweiss.com/2021/01/14/a-guide-to-soundclouds-demonic-underworld/
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